Pier 94 Back to Platform Exhibitors
In an installation consisting of two "Penachos" or Crowns, Tania Candiani uses bamboo, reed, cloth, paper and feathers to create Reverencia (2019) based on the headdress used in the Dance of Los Quetzales. The work features video, drawing on paper, and live activations. The piece proposes a reinterpretation of the symbolic meaning of the movements of the Dance, based on reverences of gratitude and petition, and draws a historical connection with the National representations during the World’s Fairs of the 19th century.
Presented by Galeria Vermelho.
About the Artist
With extensive experience in Mexico and internationally, Tania Candiani (b. 1974, Mexico City) is interested in the complex intersection between language systems, sound, and logics of technology. There is some nostalgia for the obsolete in her work, which seeks to make explicit both the discursive content of artifacts, and projections for the future envisioned in the past. Her translation processes between sound, words, patterns, and machines create discursive associations and reveal logics of thinking. Some of her early works took advantage of the language of embroidery to challenge stereotypical images of gender (Gordas, 2002), subverting notions of power within the private and public spheres (Kaunas Graffiti, 2009), or to rekindle what seemed to be lifeless or submissive (La Constancia dormida, 2006). Likewise, her work with embroidery proposes a new insight into the architectural representation of space (From Floor Plans to Confection Patterns: Apartment Houses in New York City, 1900–1914, 2010). As such, her work established a relationship with architecture that would have consequences later in her career.